Behind The Scenes

My June Cover Story for The Blog Magazine

 
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Almost a month ago, I had the chance to photograph the cover story of The Blog Magazine!

I had a great team that allowed me to achieve this result! Their hands placed in the shot was an instinctive moment, I must admit. This image had not been planned in advance. One thing I know is that I had to find the picture for the cover of the magazine.

Photo credit Tolu

Photo credit Tolu

When it comes to my sessions, even though I am prepared with a "general" mood board, I leave a lot of room for spontaneous creation (unless the model doesn't really know what to do - something that rarely happens). 

It's a question of personality: while some people like to prepare everything and I mean EVERYTHING: from the final image already in mind to the pose (placing of the fingers, how the model should open the mouth, etc.) others are much more liberal: they have a general idea and go with the flow. 

Photo credit Tolu

Photo credit Tolu

As far as I'm concerned, I think I fall between the two but lean a little more towards "the flow". Because in my opinion, I think that the preparation is good but you have to let life, the shoot in itself take its course. 

Photo credit Tolu

Photo credit Tolu

However, it can easily turn into a problem if you don't work with professional people because your work may be based on "luck" and you may lose control of your shoot. You are the captain of the boat so it is up to you to make sure that the direction is respected. A cheerful and festive atmosphere can send the wrong message by letting several people give their opinion on the direction of the shoot. Of course, you have to be open, courteous, kind and a little flexible but don't forget that it's your shoot (especially if it's a creative one you have organized) - a little different when a client or/and an artistic director hires you but that's another story.

Photo credit Tolu

Photo credit Tolu

Finally, it is always important to work with a team. Regardless of what you know or can do on your own, working with people who are experts in their field is one of the keys to success. These people are passionate about their craft! So when planning your shots, try to include other people most often. It makes it easier for your vision (planned or unplanned lol) to be realized more smoothly! 

I wish you all the best and I look forward to seeing you soon! 

Photo credit Tolu

Photo credit Tolu

Photo credit Tolu

Photo credit Tolu

Photo credit Tolu

Photo credit Tolu

CREATIVE TEAM

Model: Alice Ikuzwe

BTS Photographer: Tolu

Stylist: Fabienne Mital

MUA: Lola

Hair Stylist: Annychou

Coordinator: Dzidzor Viaud

Assistant & Digitech: Karishma Pageau

Studio: Espace gris

 

Behind The Shot: The Bride

 
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Do you often look at some photos and wonder how things were done behind the scenes? Because deep down, you learn by watching others do it!

So, I decided to share with you the whole process of this shoot that I did so that you in turn could try it. I hope this will help you.

BEFORE THE SHOOT

Before each shoot I make sure to calibrate my monitor. I want to be sure to see the right colors but above all the right brightness and the right contracts! I rarely rely on the screen of my camera because what you see behind it is the JPG representation of your photo.

On the spot, after my setup is done, I do some tests with the model (not with my assistant or anyone else on)! I just wan to make sure the shoot go smoothly.

Photo credit: Ray Arzaga

Photo credit: Ray Arzaga

The goal is to make sure you have the best lighting before you start shooting! One of the best practices would be to do the setup the day before, at least 80% of the setup or if you don't have a studio at your disposal, ask the model to arrive either one hour after the arrival time (or 45min), or to arrive at the same time and when she gets made up or does her hair you will have time to do your setup.

MY SETUP

When I work in the studio, I make sure I only work with the lights of my strobes: I close the curtains and turn off the light. Especially fluorescent lights that contain the chemical element that gives a little green tint (green cast)! Especially if you work with a slow shutter speed, with your ambient fluorescent lights on, it is very likely that this green cast will be present.

Photo credit: Ray Arzaga

Photo credit: Ray Arzaga

As you can see, I placed my light at about 45 ° from my subject to give a dimension to the picture, to give a shadow, to create contrast. Also, in order to ensure that the shadows are not sudden (quick fallout), but above all that the model is illuminated from head to toe, I move the light back considerably!

Be aware that the position of the light is simply part of the basic principles of photography that you can learn anywhere online from very good teachers on Youtube (let me know in the comment section if you would like me to talk about a specific subject).

FINAL RESULT

Dress sponsored by la Petite Robe Noire

Dress sponsored by la Petite Robe Noire